#city workers

[allthecanadianpolitics]

The City of Winnipeg and its largest union say they're willing to work out a deal to broaden the definition of an essential city worker — and in effect, determine who won't have the right to strike.

On Tuesday, city council's executive policy committee voted unanimously to put off a plan to ask the provincial government to legislate a broader definition of an essential municipal worker.

Right now, only Winnipeg police, paramedics and firefighters are considered essential and do not have the right to strike.

Full article

Tagging: @politicsofcanada

[tinajoweiss]

[mysharona1987]

“Were the aid workers intentionally murdered?”

But, come on. You don’t have to be Sherlock to figure this situation out.

That and hitting them three separate times as they fled into other cars.

[charlietheepicwriter7]

We've seen DP and DC be different universes where Danny and Valerie are the only heroes in DP, but there are thousands of heroes in DC. We've seen where DP and DC are in the same universe, and Amity Park just thinks the Justice League are ignoring them.

But what if DP and DC are different universes, BUT Danny and Val aren't the only heroes?

If we treat superheroes as basically cops/military with superpowers, then we can infer what heroes would be like using cop/military statistics. You could even use My Hero Academia society as a basis. Things like "heroes are more interested in protecting private property than serving the public" and "Heroes have high levels of PTSD and physical disability and aren't helped after they retire" are common knowledge in Danny's universe.

And specifically, the one I wanted to make clear for this prompt: In Danny's universe, heroes are highly likely to abuse their family/sidekicks outside the mask.

Suddenly, Danny's in the DC universe. For a low-stakes reason; if he's there because the DP universe imploded or his parents tried to kill him, he'd be too concerned about himself to act on his instincts. No, Danny's there for a vacation and there are so many heroes and kid heroes that he feels sick.

Maybe he catches Batman being rough with his kids, or overhears Superman "belittling" Superboy (Conner). Nevertheless...

Danny ends up thinking that all the Justice League are abusing their sidekicks and families and becomes a villain to save them.

[breadmecoshy]

I swear, the Pale King just organized a conveyor belt for the production of minions from the void and delegated his duties to them

In my understanding, Lurien and the Collector were the two most reasonable specimens, so the King made them work. For free, of course, only out of a sense of love for its creator. And less autonomous samples became his kingsmoulds

Lurien was obviously entrusted with overseeing the City of Tears, but I think the situation is more interesting with the Collector

I think the King originally appointed him as a scientist who was supposed to study the effects and consequences of contact of living beings with the void. Is it possible to defeat the infection in this way or reduce its impact? It would be easy for him, since he himself is from the void

After all, he has his own tower with a study. But to be honest, the Tower of Love reminds me of one big room with soft walls for a madman, and it stands literally on the very edge of the city, isolated from it. I think the king initially saw that the Collector was not quite adequate, but he needed research, so he simply provided him with a tower with access to the Edge of the Kingdom so that he could catch unreasonable beetles there for research, and not cause problems in the city

The bug with the void flowing out of its eyes, in which we find the key to the tower, thinks that they have been together with someone for too long, and have become one. I think it was one of the assistants or workers in the tower who escaped when the influence of the void on the inhabitants of the tower became obviously detrimental. He locked the Collector up and took the key with him so that he could no longer "protect" everything he could reach

[iww-gnv]

I’m straddling my road bike, carrying two boxes of Chinese dumplings in a paper tote. The DoorDash app tells me I need to sprint my payload across Manhattan – cutting across the Holland Tunnel’s on-ramp – in the next eight minutes. I’m trying out food delivery under New York City’s new minimum wage law on a frigid December afternoon. Before – I was a part-time delivery worker between 2018 and 2020 – an order like this would have paid just a few dollars, making it a frantic rush to finish and move on to the next one. Now the new rules guarantee delivery workers nearly $30 an hour of “trip time”. So I stop at red lights, yield to pedestrians, and though I end up arriving a couple minutes late, I feel surprisingly relaxed. My customer seems pleased, too. But the delivery bosses are already trying to reassert their dominance. Since the law took effect, delivery apps have made it harder for customers to tip. Previously, apps like DoorDash would ask customers to tip their couriers when placing orders, allowing workers to see the total amount before agreeing to take the job. Now, Uber and DoorDash have stopped prompting customers before checkout, and those that still choose to tip can only do so after the delivery has been made, through a button that can be difficult to find.

[gotham-response]

[pianokantzart]

Do you think Mario's portrayal in the movie was a little too different from the games? I understand that they needed him to have a more well rounded personality, but I just can't help but wonder why they didn't make him more of a soul who is defined by having this sort of contagious positivity with a skip in every step. Think characters like Joy (Inside Out), Pinkie Pie (MLP), Steven Universe, Star Butterfly, Mabel Pines, Rapunzel (Tangled) and so on.

Mario of course still has a can-do determinator attitude about life, and he does still have his moments of excitement, but it's a lot more subdued. He spends a lot of the movie being rather irritable, somewhat impatient, and burnt out. Of course this can still happen to characters that are defined by being consistently upbeat and positive, but that's only when they hit very serious rock bottom moments.

Do you think the sequel should try and make Mario's personality a little more like his portrayal in the games or should they just stick with what they did for the first one?

I think a more happy-go-lucky Mario could work, hypothetically, but not with the backstory he was given in the movie, which leans pretty hard on him being an underdog in every sense.

The difference between Mario and all the characters you listed is Mario was neither sheltered, nor put in any position where he was encouraged to continually exhibit a bubbly, positive attitude.

Mario is a Brooklyn man who has just recently managed to work his way up from hard labor to blue collar, and has spent most of his life having his dreams and ambitions dismissed and put down.

He's by no means disillusioned with the world, but he's built up defenses to make sure everyone knows that neither he nor his brother are easy targets to be bullied or walked all over. He is optimistic, but he's swimming against the current, and it's worn him down. (Heck, judging by the concept art, it looks like there were plans to make him even more exhausted and despondent than he was in the final product.)

But now that Mario's in an environment that values his ambition and optimism, he's got room to develop into something closer to the Super Mario we're all familiar with. As much as I hope for some slight change in character between movies, I can't say I'd be too disappointed if he stays the same on account of how much I really really love Hothead Stressball McDaddyIssues Mario. But I'm banking on him being at least a good deal happier now that he's living in The Mushroom Kingdom.

It's a nice little mini-arc to give him in what was essentially Mario's origin story.

[ballpitbee]

WEOO

[burins]

god. really nothing feels bleaker than trying to help one of our patrons who is crashing into the completely uncaring wall of the welfare bureaucracy. I was able to help him get a new EBT card (I was the third person he'd been sent to, it is very much not my job to make those phone calls for him, but also it took me five minutes and he needs food on the table!) but I could not figure out the fucking lifeline website. we could log in but clicking on the "buy a new phone" link simply took us back to the login screen. and he was so grateful for the pretty minimal help I could give him and all I could think was how desperately our entire fucking society had failed that this man was in tears at the library desk because no one had listened to him all day!

[serpentface]

Palo and Tigran standing casually in place to provide an outfit reference.

They are wearing the most typical day to day clothing for Galenii monks. This consists of three main parts:

-A simple, ankle-length sleeveless robe (white in initiate monks and black in the fully initiated). -A dark woolen cloak, which doubles as a blanket. This cloak is the foundational item of clothing throughout much of Imperial Wardin as a whole, and worn by all social classes. They tend to be cut shorter and highly decorative in the upper classes, serving only the practical purpose of shielding the arms from the sun. Poor laborers may wear only the cloak and a loincloth and nothing else. In the case of Galenii monks, it is standardized, simple, and dark blue-gray. -The sash. This is a very long scarf that is the primary visual signifier of a Galenii monk. Its open ends drape down the front side of the body and are tied at the chest. It is slung over the shoulders and hangs in a loop around the back. These sashes are dyed an expensive royal blue, indicating the significance and relative esteemed status of this religious order.

Additional elements:

-The sign of the horns: a small iron pin used to fasten the cloak. This is the symbol of the Lunar Face Of God (the specific aspect to which the Galenii are devoted, which is primarily associated with fertility and the cycles of sacrifice and rebirth). This is very common among monks but not standardized wear. Galenii priests wear the sign of the triple horns (though more commonly as an amulet).

-Ear piercings: Galenii monks and priests wear thick earrings of dark meteoric iron and stretch their earlobes. One is added to each ear for each year of the initiatory process. Palo is a year in, and Tigran is fully initiated and has five bands per ear. Body modification is exceptionally rare in Imperial Wardi culture, largely in relation to taboos surrounding body integrity. The exception here is done with great significance and care- these earrings can be made only with true meteoric iron, considered to be the blood of God Itself. Permanently marking their bodies with this metal signifies this priesthood's integral connection to maintaining the continual cycle of sacrifice/rebirth that is believed to keep God's domain stable, and binds them to this role.

-Sandals: usually very simple in construction. Monks are often expected to go barefoot, but the cities are quite dirty so most prefer to avoid this if possible.

-Ceremonial dagger: a sign of a fully initiated monk. It is curved and its sheath is decorated with a tuft of lion's mane (a signal of the Galenii order's close connection to the Odonii order). Most of its uses are ceremonial, but it will be periodically used to perform animal sacrifices. A smaller razor blade is kept in the home for personal bloodletting.

-Hair: Fully initiated monks shave their heads, while those in the process of initiation have relative freedom with hair dressing. Palo is wearing his hair in a single braid tucked around the front. Broadly speaking, braiding the hair is associated with female beauty standards throughout much of Imperial Wardin (though generally in two braids). There is no cultural convention Against men doing so, but it is regarded as mildly effeminate (particularly in the south and southeast).

-Lore Friendly Sunglasses: Palo has photosensitive epilepsy. No effective treatments for epilepsy exist in the setting (most 'treatments' in Imperial Wardin are alchemical in nature, ie: ambiguously helpful at best or literal poison at worst), but understanding of the Nature of epilepsy as a neurological disorder is relatively accurate, and the concept of photosensitivity is loosely understood (though not with great accuracy, it's assumed to be caused by light in General). Palo had this pair of (VERY expensive) sunglasses commissioned as a youth, which Do slightly reduce the frequency of his seizures. Devastatingly stylish as they may be, his glasses do not offer much visual clarity so he only wears them in bright conditions.

[buddiesmutslut]

Okay, so the trashed hotel room is going to be super expensive, BUT -

I haven’t seen anyone talk about the karaoke bar! Bro, there were bottles of liquor out, someone was pouring clear liquor from a bottle into shot glasses for everyone. Buying straight up liquor bottles from a bat is NOT cheap, & Buck is the one that rented the room & everything for the bachelor party.

So, once they get the tab from the karaoke bar, the fees for the hotel room (from Chimney bc there’s no way that man is paying for those damages on a hotel room he didn’t even stay in) PLUS the bill for wherever tf they got the bottle of whiskey from in the hotel room (bc nobody had that when they arrived at the room), bruh they’re going to have to move in together to have enough money to pay all that off 😂

[solarpunkwarlock]

I really want to talk about how important it is for us as a people to start making proper city design a priority. I also want to talk about how the privatization of land is the first major barrier to having proper city design.

A lot of seemingly complex issues and tasks can be simplified or made easier to deal with by organizing our cities: Food distribution, commute times, housing, neighborhood safety, public transportation, business/practice regulation, emergency preparedness, general accessibility, mental health, access to medical services, public health, and probably a ton of other things I can't think of right now.

All of that and more could be made much easier if we organized our cities with things like mixed-use-development, the standardization of public transport over personal vehicles, a grid structure, prioritizing walkability on surfaces safe for the disabled (sidewalks over cobblestone), designating districts for certain kinds of services, mandating better minimum (and maximum) size requirements for homes, requiring a certain percentage of greenery or some form of nature for every square footage, and other tactics that I'm probably not even aware of since I'm no city planner.

All of this gets shit on when land can be privately owned, though. Businesses, rich folks, the greedy, and the ignorant buy land without any planning in mind for their community which leads to disorganized, unoptimized, and community-unfriendly cities/towns. Our efforts should always generally lead to the betterment of our community over the selfish betterment of our private circumstances.

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.